Bio
 Molly Morin is a  sculptor, fiber artist and educator based in Western Massachusetts. Her object making practice considers and critiques technology-enabled systems that amplify and extend power imbalances already present in social, political and art-world contexts. Morin has given invited lectures at the Center for Research Computing at the University of Notre Dame, The Society for Science, Literature and the Arts, and the National Academy of Science. She has exhibited nationally and internationally including solo exhibitions at The Collaboratory at UC Santa Barbara, Wittenberg University, Lamar University, the University of Dallas, and the Utah Museum of Contemporary Art. She is currently a visiting assistant professor at Hampshire College.

Methods
Machine Knitting
CNC Cutting
Parametric Drawing
Needle Felting
Creative Coding
Experimental Weaving
Machine Drawing
Sewing
Soft Sculpture
Processing
Exhibitions
Solo unless noted
Made en Mass
South Gallery, Greenfield CC
Greenfield, MA
2026

1055113200
with Nikko Stevens
HASTAC 2023 at Pratt Institute
Brooklyn, NY 
2023

Bradford Butterflies,
The Space on Main
Bradford, VT
2023

Information Density
Utah Museum of Contemporary Art
Salt Lake City, UT
2018

Flying Machines
Patrajas Contemporary
Ogden UT
2018

A Short-Lived Escape from Gravity
The Collaboratory at UC Santa Barbara
Santa Barbara, CA
2018

Invisible Things
with Stephen  Wolochowicz
Whitespace Gallery
Ogden, UT
2015

Red Balloons
with Stephen  Wolochowicz
Clemson University Center for Visual Arts Greenville, SC 
2014

Comma nd Plus
with Nia Davies
&/ (andorproject.com) 
curated online space 
2014

Traces of Awe, 
Whittenberg University
Springfield, OH 
2013

Labs, Research and Working Groups
The Center for Lagging Technology
founding member

The Three Fates textile design game
consulting member

Liberation + AI Think Tank
member

Black Sound Lab
lead fabricator
Press
A Cohort not a Curriculum, Processing Community Day (2019)

Role/Play: Collaborative Creativity & Creative Collaborations, Studio International (2018)

Review: Heavy Lifting: Works by Molly Morin, Kia McGinnis Wray, Slug Magazine (2018)

Molly Morin



Made en Mass
2026 As installed at 
Greenfield Community College
2026
Phase Glitch, 2026
 Made en Mass is a first offering in Morin’s new body of work and an introduction to a universe constructed from the discarded. The sculptures and tapestries in this collection are made from yarn reclaimed from piles of unwanted commercially-produced sweaters. Morin disassembles each manually, harvesting the yarn and working slowly, resisting the speed and commodification of labor endemic to this AI era. Each work is made on a hand-powered 1980s’s era semi-industrial knitting machine in their Greenfield, MA studio, housed in a former shoe factory. The surface patterning is produced with hand-punched cards fed to the machine evoking the fast, technologically powered vertical manufacturing industry that is the source of both ecological disaster and violent working conditions. Through the works, Morin invites viewers to sit with the inescapable violence of late stage capitalism and tangible hope for resistance and change.
Top